Second (to none) Stage
In honour of the Second Stagers and their most recent performances, here's my list of the best productions from the troupe.
10)
Our Town by Thornton Wilder
Directed by Jay Rawding
I'm not a fan of the script. It's the definition of dated. But it was worth it to see Lisa Flower step inside the stockings of Emily Webb. Natural and theatrical simultaneously. Nice.
9)
The Creative Process by Jay Rawding
Directed by Dan Culberson
I've seen some variation on this idea probably a half a dozen times, but this one was the best. Paced perfectly. (I could have done without the crossdressing, though.) Anthony Bourque's performance was very funny.
8)
Penguin Blues by Ethan Philips
Directed by Dan Culberson
Working with what I think was a three-week rehearsal window, Tim and Bet (and therefore Dan) made the play hard to watch, in a good way. "And I was just a little boy. I was just a little boy." Brrr...
7)
The Red Glove by Bet O'Toole
Directed by Andrea Arbour
I sometimes find Bet's writing overwrought (look who's talking), but this play was a whole bunch of "S"s: simple, sweet, and, above all, satisfying.
6)
Coconut by Dan Culberson
Directed by Jay Rawding
I've learned a lot of things from Second Stage, and here's what I learned from Coconut. Don't judge a play by its script. On the page, Coconut looked nonsensical to the point of stupidity, as opposed to absurdity. But on the stage, where it matters, Dan's script (and Brian's performance) were downright sublime. Touch the coconut, and think of the good things.
5)
The Doomsday Clock by Scott Marshall
Directed by Andrea Arbour
If this were a one-line-pitch competition, The Doomsday Clock would be the hands-down winner. The kind of out-of-left field idea, rich with potential, that makes one think, "Wish I'd thought of that." And, oh yeah, there's lesbians.
4)
Table for Two by John Mazerolle
Directed by Dan Culberson
I'm biased, so take this with a grain of salt. Good performances from Lydia and Mel, and a breakneck pace from Dan. Would that I could write like this more often.
3) Ashes by Anthony Stuart
Directed by John Mazerolle
There was something joyously contagious about this production. You could feel the smile in the room, even when people weren't laughing, and they laughed a lot. Of all the plays on this list, it's the only one where I can't imagine ANYBODY saying, "Oh, I didn't like that one."
2)
Pants by Dan Culberson
Directed by Dan Culberson
Dan pulls off a comedic miracle. The play that stays equally funny no matter how many times you see it performed. It's positively elastic, yet it never felt scattershot. I don't think it's too much to say it's ingenious.
1)
Photoshop Time by Scott Marshall
Directed by Jay Rawding
Some of the best acting, one of the best scripts, and (without a doubt) the best directing Second Stage has had. Scott was mildly scolding himself recently, wanting to push himself to improve, but I think this Mobius Strip of a script is at a professional level already. Add in some terrific acting from first-timer Jason and seasoned vet Alex, and you have Second Stage's best moment.
So far, of course.
Cheers,
John
10)
Our Town by Thornton Wilder
Directed by Jay Rawding
I'm not a fan of the script. It's the definition of dated. But it was worth it to see Lisa Flower step inside the stockings of Emily Webb. Natural and theatrical simultaneously. Nice.
9)
The Creative Process by Jay Rawding
Directed by Dan Culberson
I've seen some variation on this idea probably a half a dozen times, but this one was the best. Paced perfectly. (I could have done without the crossdressing, though.) Anthony Bourque's performance was very funny.
8)
Penguin Blues by Ethan Philips
Directed by Dan Culberson
Working with what I think was a three-week rehearsal window, Tim and Bet (and therefore Dan) made the play hard to watch, in a good way. "And I was just a little boy. I was just a little boy." Brrr...
7)
The Red Glove by Bet O'Toole
Directed by Andrea Arbour
I sometimes find Bet's writing overwrought (look who's talking), but this play was a whole bunch of "S"s: simple, sweet, and, above all, satisfying.
6)
Coconut by Dan Culberson
Directed by Jay Rawding
I've learned a lot of things from Second Stage, and here's what I learned from Coconut. Don't judge a play by its script. On the page, Coconut looked nonsensical to the point of stupidity, as opposed to absurdity. But on the stage, where it matters, Dan's script (and Brian's performance) were downright sublime. Touch the coconut, and think of the good things.
5)
The Doomsday Clock by Scott Marshall
Directed by Andrea Arbour
If this were a one-line-pitch competition, The Doomsday Clock would be the hands-down winner. The kind of out-of-left field idea, rich with potential, that makes one think, "Wish I'd thought of that." And, oh yeah, there's lesbians.
4)
Table for Two by John Mazerolle
Directed by Dan Culberson
I'm biased, so take this with a grain of salt. Good performances from Lydia and Mel, and a breakneck pace from Dan. Would that I could write like this more often.
3) Ashes by Anthony Stuart
Directed by John Mazerolle
There was something joyously contagious about this production. You could feel the smile in the room, even when people weren't laughing, and they laughed a lot. Of all the plays on this list, it's the only one where I can't imagine ANYBODY saying, "Oh, I didn't like that one."
2)
Pants by Dan Culberson
Directed by Dan Culberson
Dan pulls off a comedic miracle. The play that stays equally funny no matter how many times you see it performed. It's positively elastic, yet it never felt scattershot. I don't think it's too much to say it's ingenious.
1)
Photoshop Time by Scott Marshall
Directed by Jay Rawding
Some of the best acting, one of the best scripts, and (without a doubt) the best directing Second Stage has had. Scott was mildly scolding himself recently, wanting to push himself to improve, but I think this Mobius Strip of a script is at a professional level already. Add in some terrific acting from first-timer Jason and seasoned vet Alex, and you have Second Stage's best moment.
So far, of course.
Cheers,
John
9 Comments:
Both plays are a wash, but I went with yours because I thought the acting was slightly better. What Pants really has going for it is that it's pure theatre. It could only work on the stage. Photoshop Time could be presented in any number of mediums.
I suppose those are positive traits for each play.
Cheers,
John
I'm probably biased of course, but I'll say you missed a real gem with "Sure Thing" last week. Just excellent. I hope the DVD comes out well.
Think Sure Thing would have been on your list, John, had you seen it. Good list..wish I had seen them all.
Wow... my name appears on there a few times for various bits. Thanks.
"I don't think it's too much to say it's ingenious."
I'd let you get away with saying it's adroit, but to say it is ingenious is, yes, too much.
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You're last three on your list are the first three radio plays that I'm producing. I was thinking, if there was a like a "Best of" collection DVD for one acts in Second Stage, those three and a lot of the ones on your list would definetely be in that collection. But ya, if you would have saw Sure Thing, you would have blown away.
*coughs* What about Entropia huh? ~_^
Thanks for the nice Our Town comment. ^_^ I have to say that I would agree with most of those on your list, and A Doomsday Clock was definately my favorite, following by Pants and then Ashes. We've got some incredibly talented authors in SJ, and we're lucky we've got an outlet where they can shine.
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